I never thought I would review a Greek  blues band in my life, let alone a GOOD Greek blues band, and when this  happened, one would expect a band that would do covers of well known  songs, such as "Sweet Home Chicago" or"Hoochie Coochie Man" and other  covers you hear for the  millionth time as a reviewer of blues cd's.
 Instead, what we have here is a mix of  good traditional blues influences, played  with great skill and feeling,  and  vocals by a singer called Paul Karapieris, who sounds like Tom  Waits or Beefheart or the new blues hero Ian Siegal, but most of the  time like all 3 of them, he also is a great harp player, and the Chicago  blues influences, mixed with his gritty, Tom Waits-like voice, form  that unique sound for this Greek blues bands second CD.
 But..what makes the sound even more special is their love for mixing odd en experimental noises with their music.
 There is nothing against trying something new, but in this case, it spoils some of the fun.
Take for instance "Crossroad Ritual" a  good blues song, until it sounds  like somebody is grinding  pebblestones, and somebody else is playing with some baby's music box.
 If you keep in mind that the CD is only just over 40 minutes, it's a pity even more.
But luckily this happens only a few times, so the balance stays on the "good" side.
 If this band keeps the urge to  experiment a bit under control (their sound is original enough without  this) they might become big outside of Greece also. 
Paul Karapiperis  in the first place,  but also the rest of the Small Blues Trap, deserve an international  audience in my opinion. And after 30 years of listening to blues for a  job, I should know by now.Ronny Bervoets
 
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