While most of the North American world is going to
sunny blues festivals listening to who can tear up the neck of the
guitar with more notes than dollar bills in Donald Trumps bank account,
I’m thoroughly enjoying the deep sounds of Paul Karapiperis new album,
“One Sin in Seven Parts.” I don’t see one ray of sunshine on this
album and I don’t care. Paul grabs the sun with his bare hands and
pushes it down under the horizon. Ahhh the darkness now sets the stage
for this album. He quietly whispers to you from an alleyway and you
have a choice: turn it up and back away or do you dare just get closer
and really find out what that noise is creeping out of those speakers.
There are only seven songs on the album, but I can
say this a lot here. Each song gets into a hard groove that should
really scare the pants off ya. When you would watch Muddy really get
excited about a groove he would get that lost look in his eyes. These
aren’t the grooves of the 60’s or 70’s blues jams, thank goodness!!
They are modern grooves of industrial wasteland and vacant brick
warehouses. The resonator guitar work just haunts the dank roads of sin
that we all struggle through in life. And remember this is an album of
sin in seven parts. His harmonica wails like a ghost, not Casper,
flying through walls to chase you around that abandoned house on the
hill overlooking the sea with the waves crashing up on it. Chills just
run up my spine at times as I hear the train shooting down the decrepit
tracks that have rusted in the rain. The beauty of the true world’s
landscape is shown in the music.
If you are going for a long trip, this has to be on
your playlist. And I don’t just mean a physical trip, cause we all go on
mental trips too. Life isn’t just work and sleep; it’s also the study
of what’s really in between the tracks. Now take your time and enjoy
the bright Festival season while it lasts, because as Paul brings out
this beauty, it might be a long cold winter, but you have company.
Kyle M. Palarino
Kyle M. Palarino
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